It’s probably not a huge surprise that Superior Spider-Man is getting this accolade from us. We’re both huge fans of the character and in previous years we’ve given nods to Amazing Spider-Man, Ultimate Comics Spider-Man and Spider-Men in our end of year lists. But when you consider that 12 months ago, Dan Slott killed Peter Parker and allowed the body of his greatest foe to usurp his life, shouldn’t we be upset? Shouldn’t we be angry? Shouldn’t we be joining those who think Dan Slott has gone too far and calling for his immediate removal?
Well, no. Because Superior Spider-Man is the most original, compelling and consistently brilliant storyline that the Spider-Man titles have seen in years. Whether rehabilitating forgotten 90s characters like Stunner, bringing back early ideas Lee/Ditko ideas like The Living Brain or finding a new and twisted take on existing foes like The Vulture, Slott has managed to create a Spider-Man comic that simultaneously revels in the character’s lore while forging a new one with every issue. The story of Octavius’ second chance is hugely compelling. We may hate him for what he’s done, but at the same time he’s trying to be better, and often facing people so much worse than him that it’s easy to know who to root for. It’s a superhero soap opera with all the classic tropes, and too few comics can do that in such a sincere manner without feeling dated or hokey.
And Peter Parker may not actually be appearing in the comic, but in very real a way this entire run is about him. In every decision Octavius makes that puts others at risk, in every victory he uses to further his image and agenda, in every moment where his confidence spills over into arrogance, you can’t help but think: Peter Parker would’ve done this differently. Where Peter felt he had to put the costume on to save lives, Octavius does it to prove a point: that he’s better than everyone else. He may be getting results now, but we know that it can’t last forever. Half of the fun of reading Superior Spider-Man is waiting for the slip-up that undoes him.
Of course, the entire run isn’t down to Slott alone. He’s had some top collaborators, too. Ryan Stegman has never been a bad artist, but his work on Superior Spider-Man is something else, cementing his place as one of the industry’s best. Chris Yost’s appearances as co-writer haven’t slowed the series down at all, and should the day come when Slott leaves the series, one can’t help but identify Yost as the natural successor. And, of course, editor Steve Wacker – now sadly outgoing following a promotion into Marvel’s animation – has had such a phenomenal output over the last few years that it’s impossible not to recognise his contribution. But ultimately, this is Slott’s baby. He masterminded the story and since its on his shoulders that the abuse inevitably comes to rest, so should the praise. In Superior Spider-Man, Slott has cemented himself as one of the character’s top writers, the equal of Roger Stern, J. M. DeMatteis and Gerry Conway.
You might argue that in a market where you’ve got books like Hawkeye, Daredevil and Young Avengers practically straining to out-innovate one another, Superior Spider-Man is just a little too traditional to be called the best book of the year. But here’s our take. It’s not the most surprising book. It’s not the most clever. It’s arguably not even the best-looking or best-written in a purely objective sense. But when it comes down to it, there’s no other superhero title we’d rather read each week, because through its combination of passion, plotting and execution, it’s managing to be the most difficult thing of all: impossible to put down.